Showing posts with label The Ex. Show all posts
Showing posts with label The Ex. Show all posts

Sunday, September 4, 2022

Ex Ethiopia

Terrie and Andy Ex (Terrie Hessels/Andy Moor)
Over the past week I've made four paintings documenting a string of recordings in the top 100 about the connection of the Dutch punk band The Ex with Ethiopian musicians. Five of the eight portraits are of elderly men, but there not ordinary men, they legends of the Dutch punk and jazz, and Ethiopian jazz scenes. The remaining three of women of various ages, but no ordinary women either! Katherina Bornefeld is normally the drummer of The Ex, but on a video recording of The Ex live in Addis Ababa, the legendary Han Bennink sits in and Bornefeld sings the song Eyoleo by the Mahmoud Ahmed while playing percussion on a cowbell. I combined Bennink and Bornefeld in the next double-portrait.
Katherina Bornefeld/Han Bennink
In another video on YouTube The Ex plays a live concert in Groningen (Netherlands) assisted by the Ethiopian saxophone player Getatchew Mekuria on a track written by Mekuria called She Ilelle (or Shellela). Here (below) I combined Mekuria and Ahmed (the two authors of the two songs mentioned.)
Mahmoud Ahmed/Getatchew Mekuria
Mahmoud Ahmed and Getatchew Mekuria both prominently feature multiple times on the influential CD series Ethiopiques. Volume 6 and 19 from the series are by Ahmed while Volume 14 is by Mekuria. Both musicians I've know for a long time as the library in Columbus, where I then lived, had many discs from the series. Both have been in the Top 100 before. In 2011 I wrote about the series, then on Mulatu Astatqe, in this blog. The final double portrait painting is of the contemporary musicians Tirudel Zenebe and Selamnesh Zemene. Tirudel Zemene features on the disc Ilita!: New Ethiopian Dance Music that was produced by Terrie Ex and released on Terp Records, a label founded by Hessels. Zemene, Mekuria, Zenebe, Bennink, Bornefeld, and Terry and Andy Ex, all featured in the preliminary painting for this Top 100 series. (Read here, and here.) Selamnesh Zemene performed with The Ex when she was still in the band Fendika in 2008. There is video called Gonder on YouTube. Gonder is not the actual title of the song that appears on Soundpoetry, part 5, but refers to the city Gondar, from which Fendika hails. In the Spring I saw Zemene perform live in Nijmegen (Netherlands) with Baduma's Band. Selamnesh Zemene is yet represented twice more in the Top 100 independently from The Ex.
Selamnesh Zemene/Tirudel Zenebe




 

Sunday, April 17, 2022

Miniatures (Top 100 2022)

Allen Ravenstine, Pere Ubu

David Thomas, Pere Ubu

After a little break for a while I'm ready to start the next series of 100, the Top 100 2022. While it was clear for a while already I would stay close to the double portrait concept used in 2021, I am going to make some changes in the process. Looking back on the Top 100 2021, I found that the juxtaposition, or contrast of object and subject was hardly ever as black and white as I had imagined. In stead of focusing on the differences between the people portrayed, I'm now treating them as equal. There's always a relationship between two people (or more) involved in the making of a recording and this relationship is usually much more egalitarian, at least today, as the colonialist attitude of the earlier 20th century I took as a vanishing point last year. Even within early ethnomusicological recordings I found that the relationship between object and subject was often based on equality, certainly not as dismissive as it is portrayed in contemporary criticism. 

I've started collecting the images of the people who will feature in the top 100. It's a mix of familiar faces (to me) and new ones. To become familiar with the musicians, musicologists, and producers of the recordings in the list I thought I would paint a bunch of miniatures onto a canvas. As I did with the two larger recent canvases I am planning to paint 100 miniatures on it. I organized the canvas in such a way that all 100 portraits have a 4x4 inch square available to them. I neatly gridded out the canvas. I will present the images on here in series of 10 at a time. I have now 45 done. Here's the painting thus far. Below it I'll zoom in on the individual people with a little commentary to go with it.

100 Faces of the Top 100 2022, in progress, 24x36 inches
The first images I'll zoom into are all related to the band The Ex. Several of their songs already secured a spot in the 2022 list even though that list is nowhere near completion. The first one to enter was the song Eoleyo, written by the famous Ethiopian composer and percussionist Mulatu Astatke. Eoleyo is not a famous Astatke song, it was only released locally on cassette tape, but the audience at a concert in Addis Ababa burst out in ecstatic approval. The vocal at the concert are by Katharina Borneveld, who is usually the drummer for The Ex. For the occasion Han Bennink, the most famous of Dutch drummers, sat in. Terrie Ex (Terrie Hessels) is the only one from the six portraits below whom I painted before. He produced the record Ilital: New Ethiopian Dance Music, from which Gue by Tirudel Zenebe is listed high in the Top 100. Another famous Ethiopian musician, the saxophonist Getatchew Mekuria, did a whole tour with The Ex. She Ilelle, in the Top 100, was performed on one of those occasions (Groningen.) Andy Moor is the third Ex member I painted. Here are all six:
Tirudel Zenebe

Getatchew Mekuria

Han Bennink

Andy Moor

Katharina Bornefeld

Terrie Ex
The final two images illustrate two songs in one by Cathy Berberian. Her album magnifiCathy I had on tape in the 90s and was thrilled to find a copy on vinyl in a second hand record store in Nijmegen, the Netherlands. Both songs, A Flower and The Wonderful Widow of Eighteen Springs, by the composer John Cage.
A Flower (1950) has no words, just sounds, while the text of The Wonderful Widow of Eighteen Springs (1942) is based on a passage in James Joyce's Finnegan's Wake. The musical score to accompany both songs was written for closed piano (the lid closed so that the piano becomes a percussion instrument.)
John Cage

Cathy Berberian



Saturday, November 13, 2021

Lots of Grey Hair

Aleksander Gabrys/Iannis Xenakis
For classical music, as I did with John Cage last week, I juxtapose performer and composer for the double portrait series. I can't believe how much grey hair I painted for these series. I too, for that matter, am getting grey. Aleksander Gabrys, a cellist from Poland, has still color on top but the beard hairs are grey. The hairs on top have thinned out compared to earlier photos. Iannis Xenakis, the storied Greek/French composer, died in 2001 in Paris. The composition Theraps for Double Bass was composed in 1976 and peformed by Gabrys in Bern in 2013.
Terrie Ex/Jon Langford
When Jon Langford produced, and the Ex recorded, Bouquet of Barbed Wire for the album Tumult in 1983, neither of them had gone grey yet, but I chose 21st century images for both Terrie Ex (Terrie Hessels), a founding member of the Dutch punk band The Ex, and Jon Langford, member of the British (post) punk band the Mekons. The Ex were formed in 1979 in Amsterdam and are still active today. Jon Langford too, is till active with the Mekons who formed in Leeds, England in 1977. Langford is also an accomplished artist.