Wrapping up

Eva Rune/Jennie Tiderman Österberg

The Top 100 2022 paintings are nearly completed. The concept of the series of 100 paintings doesn't allow me to repeat individuals and everybody who needed to get painted had already been painted. For the last few paintings I am resorting to musicians who are listed in secondary lists such as the top 20 musicians, or the top 25 albums, or, like for the painting above, the 20 highest scoring musical traditions (field recordings.) Swedish kulning recordings were number 18 on that list, but not a single recording made it into the regular top 100. The 24 kulning points were neatly divided between two historical recordings (by Erin Lisslass and Karin Edvards-Johansson) and two contemporary ones (Eva Rune and Jennie Tiderman-Österberg.)

Badume's Band: Rudy Blas, Olivier Guénégo, Antonin Volson

Badume's Band is the band behind three separate songs in the list by Selamnesh Zéméné, my favorite concert of 2022. It is time to set a date for the exhibition of the 100 paintings.

 

Of Ancient Music and Rune (To Comb or Not to Comb)

Eva Rune/Agneta Stolpe

Once a student asked me how to paint hair. "Use a comb!" I responded out of the blue. I used liquin as a paint medium in this painting to build up the hair. I was tempted to try a comb on this painting but then I realized that neither Rune nor Stolpe had combed their hair before their images were photographed. The photos that I painted these portraits from. Lockrop & Vallåtar = Ancient Swedish Pastural Music was released in 1995 on CD. Originally the recordings were released in 1966 as Locklåtar och musik på horn och pipa = Ancient Swedish Pastoral Music by the Swedish Broadcasting Company and was recorded in the farm pastures in the provinces of Dalarna and Härjedalen between 1949 and 1964. For the CD several newer works were added including this track that was recorded in Stångtjärn at the Falun Folk Festival of 1995 by Torbjörn Ivarsson. Susanne Rosenberg, Eva Rune, and Agneta Stolpe were the callers (kulning) during this concert. Listening to other recordings by these three singers I believe the singer on specific outtake to be Eva Rune, but I can't be sure. Carlos Reynoso, who included this recording on La Vox Humana, gave no information.

"Playing the traverse flute known as lantuy"/Harold C. Conklin

I was excited to paint this particular paring of subject and object because there's something of a reversal happening. The object, from a faraway and exotic place, often half naked, is fully clothed, while the academic western subject, a middle-aged white male, wears no more than some short shorts. The subject is Harold C. Conklin, and the photo of him that I used, was taken near Mt. Yagaw on Mindoro Island in the Philippines in 1953. In the photo Conklin is paired with another fully clothed native Hanunoo named Badu'ihuy. The traverse flute player in the painting above is not named but was used on the 1953 Folkways album Hanunoo Music from the Philippines in the liner notes to illustrate a couple of tunes in which the lantuy (or palawta) flutes were used. The track in the top 100 is one of these: Flute (Lantuy) duet by a girl and her mother. The Hanunoo belong to the Mangyan cultural group native to the mountains of Mindoro, the 7th largest island of the Philippines. When the liner notes were written (in 1953) the Mangyan groups had remained relatively isolated, some groups continue to be without any contact. Most of the population of the island, living on the lower and coastal parts, had been Christianized.