Showing posts with label Princess Constance Magogo. Show all posts
Showing posts with label Princess Constance Magogo. Show all posts

Saturday, December 28, 2019

South African Politics

Princess Constance Magogo kaDinuzulu 
14 x 11 inches, oil on canvas, 2019
The image above appears on the cover of the LP The Zulu Songs of Princess Constance Magogo KaDinuzulu as part of The Music of Africa Series produced in the 1960s by Hugh Tracey. The album is number 37 in the series and was also recorded by Hugh Tracey. The recordings are from 1939. The song in top 100 this year is from that album and is called Helele! Yiliphe Ielyiani? meaning 'which regiment is that?' in the Zulu language. I have no clue what the song is really about but the word regiment hints at a political subject. The princess was the daughter of King Dinuzulu kaCetshwayo of the semi autonomous Zulu Nation (r. 1884-1913) and sister of King Solomon kaDinuzulu (r. 1913-1933). Her son Mangosuthu Buthelezi (b. 1928) is a politician and Zulu leader who founded the Inkatha Freedom Party (1971) and remained in the South African Parliament until just a few months ago. Princess Constance remained an advocate for Zulu culture and music throughout her life. You can read more on Princess Constance here.

Wednesday, July 20, 2011

A Zulu Princess

Princess Constance Magogo
8.25" x 7.5"
oil on wood, 2011
The Princess' name is Constance Magogo Sibilile Mantithi Ngangezinye kaDinuzulu (1900-1984). Quite a name indeed but not even close to that of her fellow South African singer Miriam Makeba (1932-2008): Zenzile Makeba Qgwashu Nguvama Yiketheli Nxgowa Bantana Balomzi Xa Ufun Ubajabulisa Ubaphekeli Mbiza Yotshwala Sithi Xa Saku Qgiba Ukutja Sithathe Izitsha Sizi Khabe Singama Lawu Singama Qgwashu Singama Nqamla Nqgithi, who is of Swazi and Xhosa descend. Miriam isn't even part of that name! My name is Lambertus Gerardus Martinus van Boekel and it really falls short in comparison.
The first recordings of Princess Magogo were made by Hugh Tracey in 1939, it was the start of a long  career in traditional Zulu music while defying Zulu gender traditions. The Tracey recordings are exquisite and the featured Top 100 track Umuntu ehlobile singem jabise yini tina? is only one of the 39 he recorded, and one is even more beautiful than the other. I've already mused about Tracey a month ago and further examples from the thousands of discs he recorded in Africa are to follow in months to come. Supplemented, of course, with painted renditions of Tracey's photos or other photos of the musicians Tracey recorded.