Wednesday, March 23, 2011

Albania! (2)

The Joyfulaires
12" x 10"
oil on wood, 2011

The second installment of the two part series named Albania! marks the end of the Top 100 2010. In part one I discussed the relative obscurity of this country and her music, and how I've only seen it flying over en route to Greece. Part two then deals with Albanian's music outside the country's borders. The first one is from Ohio, the quintessential fly-over country in the US. I mentioned the Joyfulaires in the chapter Thrift Stores and even posted their photo. I didn't mention that the two Jeffries sisters and Dianna Woodgeard in that picture are from Albany, Ohio. Now six months later I painted these Albanians after I awarded them the #100 spot in the list. "Dianna is a young married student and has dedicated her talents to God. She was a neglected child, but God sent Mr. and Mrs. Pinney, wonderful christian parents, to adopt her as their own." (—The Joyfulaires, In the Valley He Restoreth My Soul)
Dianna plays piano in the group. Karen and Bonnie are young mothers who sing. Their phone number is listed on the LP and it's for me only a local call but I won't dial it (no, I'm not passing on that number either, it's 40 years old, for heaven's sake). The second group of Albanian musicians are immigrants in the "heel of Italy". More a destination than fly-over territory (unless, of course, you're from Rome and have business in Libya, or vice-versa). The musicians are an Albanian couple who, at Easter time, go from door to door to sing songs for a little food or money. I doubt if the couple singing on the record would have an outfit like the Albanian couple in the drawing. The music was recorded by Alan Lomax in 1950s. The copy I have is from the original release of that song on Music and Song of Italy. I hate to be sarcastic (this is the last chapter of the Top 100 2010, and I already quoted from the Joyfulaires' liner notes) but I can't resist quoting Mr. Alan Lomax in this sentence that probably wasn't reprinted when the music finally, fifty years later, was released on CD. "During the 19th century the accordion, which has done such severe damage to the old folk music of Central Europe, penetrated every region of Italy."

Since I installed the first part of Albania! I have met for first time real Albanians. They were running a Pizzeria on 6th Avenue (NYC) and were very pleasant and nice people. (Everybody would agree, I think, that the first impression you get from meeting somebody from a different country determines how you feel about a whole nation. Viva Albania!)
ciao
Albanian couple
11" x 8.5"
ink on paper, 2011

Tuesday, March 22, 2011

African Pop (part 2)

John Storm Roberts
15.25" x 9.75"
oil on wood, 2011
John Storm Roberts was an American ethno-musicologist born in England. He studied among other things, cross-pollination between African and American music and was through his record label Original, instrumental in the popularization of African music in the West. He spoke several African languages. I have an original Original record called Africa Dance, an album filled with great tunes from across the continent but with very little background information. For most tracks the performers aren't even named, let alone photographed. For the track I illustrated here with Roberts' image, all that is mentioned is name Leribe, a region in South Africa. It's a jazz tune. 

Malijo and Party appear on the record Sprigs of Time. The double album is a collection of world music from the EMI archives. They're actually from old 78s from the His Master's Voice archive, a label from The Gramophone Company that evolved into EMI to be more precise. The painting presented here to illustrate the song Muliranwawo by Malijo and Party is in all honesty poorly chosen. The image for the painting is taken from the cover of Living is Hard: West African Music in Britain, 1927–1929. In the notes to Sprigs of Time I had read of West African musicians cutting sides in England but this in fact applied to the musician Ben Simmons. Malijo recorded in his home country of Uganda in the 1950s, much later than Ben Simmons did.

Cover of Living is Hard
7.75" x 8.25"
oil on wood, 2011
The error of mine came to light because of my recent habit to check all the facts before publishing anything about a song but too late to make a new painting for the Top 100 2010 exhibition. So this little painting of a West African (musician) in Britain goes into my archive as the illustration for Malijo and Party.
The great habit of checking facts usually comes with finding so much more interesting anecdotes about the music I'm writing about. So when I researched the history of African musicians recording in Britain in the 1920s I learned that the first one to do so was a Nigerian called J.J. Ransome-Kuti in 1922, indeed Fela's grandfather! One of my quests for the already started Top 100 2011 is to find that recording.

Monday, March 21, 2011

Moondog

Moondog
14" x 7.5"
pastel on wood, 2011
Now that the storm has subsided and my mental state hit the safe green area again it's time to forward some more paintings. Actually I just took the Top 100 exhibition down and have now finally the remaining images available again for reproduction. First up is Moondog and he'll fit right in with these Norwegian heavyweights I discussed a while back. Not that his music is anything like black metal, far from it, but both Moondog and Norwegian Black Metal are inspired by the same Nordic mythology. Moondog could be seen in an outfit like this on the streets in New York City. That's where he lived, and performed before a German cinematographer took him to the promised land. From the streets of New York City to a house near the Rhine.  Now I grew up just a few miles from that river but it never struck me as a holy river. I certainly would not drink from the holy water (I wouldn't drink from the Ganges either, not that I'm against drinking...)  'The Viking of 6th Avenue' was a very colorful character and an esteemed composer, musician, and poet. Born Louis Hardin in 1916 in Kansas, exposed at a young age by the music of Native Americans that influenced the music he made later on. The LP Beat Jazz: Pictures from a Gone World contains his music together with the likes of Jack Kerouac, David Amram, to name a few. The track Up Broadway was #91 in the Top 100 2010. Moondog died in Germany in 1999.

Wednesday, March 16, 2011

Pop Music

 Pierre Henry
6" x 8"
pastel on wood, 2011
The Top 100 has ended and a new year has just begun. Is doesn't keep me from dwelling a little more on the old before I start the new. The are still numerous paintings belonging to the old I haven't shown yet. There's the Pierre Henry for example, a pastel I finished a few days before opening reception. Pierre Henry is a French contemporary composer but the tune is a pop tune, it's called Psyché Rock and it was originally intended for a ballet by Maurice Bejart. The version in the Top 100 is a remix though, recorded by Fatboy Slim in 1997. Not too many pop tunes in the Top 100 but the one by The Flaming Lips Do you Realize? may well be the iconic pop song of the past decade. Personally I can't think of another. And what would be the most emblematic song of 1990s? I think this is Wonderwall by Oasis, a version of which is also represented in the 100 by ways of Cat Power's cover version from the John Peel Sessions. If you haven't seen the show yet there are some open Gallery Hours before I take it down on Sunday: Today from 3–7, Friday from 4–7, and Saturday 3–7 again. All at Skylab, 57 E. Gay St., Columbus, OH.
The Flaming Lips
7" x 7"
oil on wood, 2011

Tuesday, March 1, 2011

A Big Swim!

Donia Massoud
19.5" x 9"
oil on wood, 2011
Yugoslavian woman in 
traditional dress
13" x 7.5"
oil on wood, 2011





















Croatia is only a boat ride away from Egypt. Down the Adriatic and Ionian seas and across the Mediterranean. The inclusion of music from those countries brings the total to 32. I have not always payed attention but this must be a Top 100 record. It's a reflection of my ever increasing focus towards international music in my collection. I really collect records in the same manner how I collected stamps when I was much younger. The criteria were aesthetic, nothing more, nothing less. The Donia Massoud recording is a wailing song, an ever growing musical sub-collection of mine. The sound quality of it is poor, coming from an audience made concert recording. I found it on YouTube. Massoud is a guest vocalist in the band Massar Ekbar. I'm not too crazy about that band, the wailing of the solo guitar doesn't cut it for me but Massoud's wailing voice makes more than up for it. What a great mournful voice! The Croatian recording comes from the album Folk Music of Yugoslavia, it's a love song, what great happy voices! The recording dates of these two musical recordings are as long apart as it would take to swim from Croatia to Egypt: just a little more than half a century.